#objective c vs c C vs C c sharp vs c

[velvetvessel-edits]

I decided to make a Mashup Tourney roster 8ased off stuff I like

It was hard 8ut I like all of them so I take this as a success

anyway lets look at their source lists

MEGALOVANIACS

-t0by f0x, media he's c0ntributed t0, and his musical collaborat0rs

(MEGALOVANIA, A CYBER'S WORLD?, Darling Kanaya)

(OMORI, YiiK, OFF)

(Itoki Hana, James Roach, bo en)

-m0ther, and games c0nsidered quirky earthb0und inspired rpgs

(Bein' Friends, Unfounded Revenge, Giygas Appears)

(Yume Nikki, LiSA, OFF)

-undead m0nsters and killing pe0ple

(Spooky Scary Skeletons, Ghost, Thriller)

(GENOCIDE, Pumped Up Kicks, I Can't Decide)

-science, time and stupid arguments

(Weird Science, Science Blaster, Dark Darker Yet Darker)

(100 years, The Time Warp, 3AM)

(Pokemon Theme Song, Gorillaz, Ocean Man)

Veluza

-Pokemon, and other Creature Collector franchises

(VS Volo, Alola!!, MELLOMELLOID)

(Yo-kai Watch, Shin Megami Tensei, Cassette Beasts)

-Aquatic Life, Mind stuff, and Sharp Objects

(Mystery Fish, (Just a) Simple Sponge, Under The Sea)

(Psychic, The Mind ELectric, Think About You)

(Knives Out, Razor, Pokemon Sword)

-Spanish Musicians

(Enrique Iglasias, Ricky Martin, Bad Bunny)

-Songs that hurt to listen to and stuff thats easily forgettable

(Calobi Productions, Hyperpop, Ye)

(Eat It, K.O. COmputer, Idaho)

Z-Broly

-Dragon Ball and Anime Movies

(Rock The Dragon, Blizzard, Limit Break X Survivor)

(Look back, Spirited Away, Promare)

-Hard Rock and Heavy Metal

(Paranoid, Stairway to Heaven, Free Bird)

(The Call of Ktulu, Iron Man, Breaking The Law)

-Rage, Really Strong Guys, and stuff that goes hard

(I Hate Everything About You, Gohan's Anger, Angry)

(THE HERO !!, Super, Super Mario)

(Black Lagoon, Devil May Cry, Those lizards that shoot blood at people)

(YTP's and Characters regularly shitposted about

(U.N. Owen Was Her?, Richer, Fesh Pince)

(Live and Learn, Rules of Nature, Machine Love)

Nightmare Bendy

-Indie Horror, and Stuff MORO put in Indie Cross (no undertale)

(Can't Be Erased, Doki Doki Forever, Everlasting Fun)

(Shovel Knight, Cuphead, Dead Cells)

-Friday Night Funkin', It's Mods, and Stuff with Major FNF Mods (no pokemon)

(Dad Battle, 2hot, Stay Funky)

(Last Reel, Overhead, Endless)

(Madness Combat, Eddsworld, VOCALOID)

-Visual Arts, Rubberhose Artstyle, and the first half od the 20th Century

(Paint the Town Red, Drawcia Soul, Scribble Core)

(Other Friends, Peacock's Theme, Timeless River)

(Swanee, Over The Rainbow, Santa Claus is Comin' to Town)

-Religious Concepts, Machinery, and Betrayal

(Take Me To Church, Hellfire, Judas Priest)

(Rage Against The Machines, Daft Punk, Metal Gear)

(Before He Cheats, traitor, Backstabber)

Manfred von Karma

-Capcom, and any game published on the GBA or DS

(Pursuit, Central Highway, Ken's Theme)

(Mario & Luigi Superstar Saga, Metroid Zero Mission, Golden Sun)

(New Super Mario bros, The WOrld Ends With You, Call of Duty: Black Ops for the DS)

-Mysteries and The Legal System

(Who am I, Umineko, Do You Love Me?)

(Fuck Tha Police, I Fought The Law, Death Row)

-Final Boss Themes, Final Stage Themes, and One Off Antagonists

(Gigalomania, One Winged Angel, Throw Away Your Mask)

(Sigma's Fortress, Bowser's Road, Runnign Hell)

(Majora's Theme, In The Final, The Nymphojinn probably)

-Lies and Songs that Taze You

(Love the Way You Lie, Meet the Grahams, Five Nights at Freddy's)

(Guns n Roses, How U Feel, Shocker from Marvel)

Hunie-Pop Stars

-Kirby, and other games made by 2nd Party Nintendo Developers (no gamefreak)

(Green Greens, Roar of Dedede, C-R-O-W-N-E-D)

(HAL Laboratories, Intelligent Systems, Platinum Games)

-Hunie Games and other Dating Sims

(Sloppy Boppie, Cruise Ship, Outer Space)

(Helltaker, Monster Prom, Hush Hush)

-Dance Pop/Electropop/J-Pop

(360, levitating, California Gurls)

(TiK ToK, Telephone, Gimme More)

(LiSA, AKB48, Ado)

- Relationships, pink, and stuff that gooners have touched

(Why Can't We Be Friends, Affection Addiction, Hate You)

(Sink the Punk, Pink Floyd, Hot Pink)

(Animal Crossing, Mihoyo, Marvel Rivals)

OR3O

-OR3O, and her collaborators

(Still Dancing, Digital Hallucination, Turn It Down)

(Annapantsu, CG5, Caleb Hyles)

-Nerdcore Artists and V-Tubers

(JT Music, Freshy Kanal, The Stupendium)

(Doggy god's street, Golden Age, PSYCHO)

Desserts and things that are sweet

(Honey pie, Take Your Cake, Savory Truffle)

(Watermelon Sugar, World's End Valentine, You)

-Clovers, Reasons to Live, and Stuff OR3O has made songs for (no utdr or bendy)

(4 Leaf Clover, Crimson and Clover, Undertale Yellow)

(i love you, Cheeseburger in Paradise, Epic Rap Battles of History)

(Doki Doki Literature Club, MiSide, Chainsaw Man)

Dokapon Kingdom

-The Dokapon Franchise, and other games published or developed by Atlus

(Casino Cave, Overworld, Death Mountain)

(Catherine, Metaphor: Re Fantazio, Hello Kitty no Oshaberi Town)

-Dokapon Jobs and NPCs

(Houdini, Fullmetal Alchemist, No Heroes)

(Prince, I Am a Mole and I Live In a Hole, Doja Cat)

-Royalty, Luck, and Money

(Queen, Fallen Kingdom, Ruler of Everything)

(Lucky, Super Ego, Hard Luck)

(Gold Digger, Money Mystery Skulls, Billionare)

-High Fantasy Creatures and games that ruin friendships

(Imagine Dragons, My Fairy King, Elf Records)

(Mario Party, Jackbox, Among Us)

What do you want if you win?

-For Toby to actually acknowledge his first creation! Without me we wouldn't even be here!!!

-eh, i'll take a fancy hotdog

-f0r s0mething fun t0 happen after!

-Za!

-Power.

-THE DAMNATION OF MY CREATOR, AND AT MY OWN HANDS!

-Hm. There's nothing material you can provide someone as I that would make it worth my while. Just let it be known far and wide that the name von Karma is not to be trifled with

-I wanna be able to fuck my clients again. I get we need to have a professional relationship and all that but making a sex magnet you can't even use yourself is toooortuuuure.

-Poyo! (I think we all know what they want)

-Uh, that's kind of a loaded question. I didn't know this'd be here I'm gonna have to think on that.

-...

-I guess for Royale5 to hit it big, thats probably the right answer.

-TO GET PAID!!!! x4

[d6d6dr6]

Guide of Realistic Sex Dolls Customization

The world of realistic sex dolls has evolved significantly, offering unparalleled customization options to suit individual preferences. Whether you seek a lifelike companion or a highly personalized experience, understanding the guide of realistic sex dolls customization is essential. This comprehensive guide explores the key aspects of tailoring a doll to your exact desires, from appearance to functionality.

1. Understanding Realistic Sex Dolls

Realistic sex dolls are designed to mimic human features with astonishing accuracy. Made from high-quality materials like medical-grade silicone or TPE (thermoplastic elastomer), these dolls provide a lifelike texture and durability. Customization allows buyers to create a doll that aligns with their ideal partner, fantasy, or aesthetic preference.

Why Customization Matters

Personalization: Tailor every detail to match your vision.

Enhanced Realism: Adjust skin tone, body shape, and facial features for a more authentic experience.

Functionality: Choose add-ons like heating systems, articulated skeletons, or AI integration for interactive companionship.

2. Key Customization Options

When following the guide of realistic sex dolls customization, several factors come into play. Below are the primary areas where personalization is possible.

A. Body Type and Proportions

One of the most critical aspects of customization is selecting the body type. Options include:

Height: Ranging from petite (4’9”) to tall (6’2”).

Bust Size: From small (A-cup) to very large (G-cup and beyond).

Hip and Waist Ratio: Curvy, athletic, or slim builds.

Weight: Lightweight for easy handling or heavier for a more realistic feel.

B. Facial Features

The face is a defining characteristic of a realistic sex doll. Customization options include:

Eye Color: Blue, green, brown, or even exotic hues like violet.

Hair Style and Color: Long, short, curly, straight, or even wigs for versatility.

Lip Shape and Makeup: Natural or glamorous looks.

Facial Expressions: Smiling, neutral, or seductive.

C. Skin Tone and Texture

Skin customization enhances realism. Choices include:

Fair, Tan, or Dark Complexions

Freckles, Moles, or Tattoos

Vein Visibility for added authenticity

D. Special Features and Add-Ons

Advanced customization includes:

Heated Body: Simulates natural warmth.

AI and Voice Interaction: For a more engaging experience.

Movable Joints: Allows for flexible posing.

Removable Wigs and Interchangeable Parts

3. Material Selection: Silicone vs. TPE

The material of your realistic sex doll affects durability, texture, and maintenance.

Silicone Dolls

Pros: More durable, hypoallergenic, retains detail better.

Cons: Higher cost, slightly firmer texture.

TPE Dolls

Pros: Softer, more skin-like feel, more affordable.

Cons: Requires more maintenance, less durable than silicone.

Choosing between them depends on budget and desired realism.

4. Customization Process: Step-by-Step

Following the guide of realistic sex dolls customization, here’s how to place an order:

Select a Base Model – Choose a manufacturer or retailer offering customization.

Define Body Specifications – Height, weight, bust, hip, and waist measurements.

Customize Facial Features – Upload reference images or select from templates.

Choose Skin Tone and Details – Add tattoos, freckles, or other markings.

Select Additional Features – Heating, AI, articulation, etc.

Review and Confirm – Ensure all details are accurate before finalizing.

Production and Delivery – Wait for manufacturing and shipping (typically 4-12 weeks).

5. Maintenance and Care Tips

Owning a realistic sex doll requires proper care to ensure longevity.

Cleaning and Storage

Clean with mild soap and warm water after use.

Use cornstarch or renewal powder to maintain skin texture.

Store in a cool, dry place away from direct sunlight.

Repairs and Upkeep

Minor tears can be fixed with TPE/Silicone repair kits.

Avoid sharp objects to prevent punctures.

Regularly check joints and internal skeletons for wear.

6. Ethical and Legal Considerations

While realistic sex dolls are legal in most countries, some regions have restrictions. Always check local laws before purchasing. Additionally, ethical discussions around these dolls continue, emphasizing responsible ownership and respect.

Conclusion

The guide of realistic sex dolls customization provides a roadmap for creating the perfect companion tailored to individual tastes. From body type to advanced AI features, the level of personalization available today is unmatched. By understanding materials, customization options, and maintenance, buyers can make informed decisions for a satisfying and long-lasting experience.

Whether for companionship, fantasy fulfillment, or aesthetic appreciation, a realistic sex doll can be crafted to meet exact desires—making customization an essential part of the modern doll industry.

[vtuhrthr]

Guide of Realistic Sex Dolls Customization

The world of realistic sex dolls has evolved significantly, offering unparalleled customization options to suit individual preferences. Whether you seek a lifelike companion or a highly personalized experience, understanding the guide of realistic sex dolls customization is essential. This comprehensive guide explores the key aspects of tailoring a doll to your exact desires, from appearance to functionality.

1. Understanding Realistic Sex Dolls

Realistic sex dolls are designed to mimic human features with astonishing accuracy. Made from high-quality materials like medical-grade silicone or TPE (thermoplastic elastomer), these dolls provide a lifelike texture and durability. Customization allows buyers to create a doll that aligns with their ideal partner, fantasy, or aesthetic preference.

Why Customization Matters

Personalization: Tailor every detail to match your vision.

Enhanced Realism: Adjust skin tone, body shape, and facial features for a more authentic experience.

Functionality: Choose add-ons like heating systems, articulated skeletons, or AI integration for interactive companionship.

2. Key Customization Options

When following the guide of realistic sex dolls customization, several factors come into play. Below are the primary areas where personalization is possible.

A. Body Type and Proportions

One of the most critical aspects of customization is selecting the body type. Options include:

Height: Ranging from petite (4’9”) to tall (6’2”).

Bust Size: From small (A-cup) to very large (G-cup and beyond).

Hip and Waist Ratio: Curvy, athletic, or slim builds.

Weight: Lightweight for easy handling or heavier for a more realistic feel.

B. Facial Features

The face is a defining characteristic of a realistic sex doll. Customization options include:

Eye Color: Blue, green, brown, or even exotic hues like violet.

Hair Style and Color: Long, short, curly, straight, or even wigs for versatility.

Lip Shape and Makeup: Natural or glamorous looks.

Facial Expressions: Smiling, neutral, or seductive.

C. Skin Tone and Texture

Skin customization enhances realism. Choices include:

Fair, Tan, or Dark Complexions

Freckles, Moles, or Tattoos

Vein Visibility for added authenticity

D. Special Features and Add-Ons

Advanced customization includes:

Heated Body: Simulates natural warmth.

AI and Voice Interaction: For a more engaging experience.

Movable Joints: Allows for flexible posing.

Removable Wigs and Interchangeable Parts

3. Material Selection: Silicone vs. TPE

The material of your realistic sex doll affects durability, texture, and maintenance.

Silicone Dolls

Pros: More durable, hypoallergenic, retains detail better.

Cons: Higher cost, slightly firmer texture.

TPE Dolls

Pros: Softer, more skin-like feel, more affordable.

Cons: Requires more maintenance, less durable than silicone.

Choosing between them depends on budget and desired realism.

4. Customization Process: Step-by-Step

Following the guide of realistic sex dolls customization, here’s how to place an order:

Select a Base Model – Choose a manufacturer or retailer offering customization.

Define Body Specifications – Height, weight, bust, hip, and waist measurements.

Customize Facial Features – Upload reference images or select from templates.

Choose Skin Tone and Details – Add tattoos, freckles, or other markings.

Select Additional Features – Heating, AI, articulation, etc.

Review and Confirm – Ensure all details are accurate before finalizing.

Production and Delivery – Wait for manufacturing and shipping (typically 4-12 weeks).

5. Maintenance and Care Tips

Owning a realistic sex doll requires proper care to ensure longevity.

Cleaning and Storage

Clean with mild soap and warm water after use.

Use cornstarch or renewal powder to maintain skin texture.

Store in a cool, dry place away from direct sunlight.

Repairs and Upkeep

Minor tears can be fixed with TPE/Silicone repair kits.

Avoid sharp objects to prevent punctures.

Regularly check joints and internal skeletons for wear.

6. Ethical and Legal Considerations

While realistic sex dolls are legal in most countries, some regions have restrictions. Always check local laws before purchasing. Additionally, ethical discussions around these dolls continue, emphasizing responsible ownership and respect.

Conclusion

The guide of realistic sex dolls customization provides a roadmap for creating the perfect companion tailored to individual tastes. From body type to advanced AI features, the level of personalization available today is unmatched. By understanding materials, customization options, and maintenance, buyers can make informed decisions for a satisfying and long-lasting experience.

Whether for companionship, fantasy fulfillment, or aesthetic appreciation, a realistic sex doll can be crafted to meet exact desires—making customization an essential part of the modern doll industry.

[uk-clippingpath]

eCommerce Photography: The Key to Higher Conversions

High-quality product images can increase conversion rates by 94%, making them a game-changer for eCommerce businesses. A well-structured product photography strategy can double your profit margin by attracting and engaging customers with stunning visuals. Not only photography, ecommerce photo editing services also play a vital role.

What is eCommerce Photography?

eCommerce photography is the art of capturing product images that clearly represent items and enhance conversion rates. Since online shoppers can’t touch or experience products physically, compelling images help bridge the gap, improving trust and purchase likelihood.

Importance of Product Photography for eCommerce in 2024

75% of shoppers rely on product images to make purchasing decisions.

High-quality images drive 95% more organic traffic and 94% more conversions.

Clean product visuals can reduce return rates by 22%.

People remember 80% of what they see and only 20% of what they read.

Types of eCommerce Photography

White-Background Photography

The most common style, white-background images eliminate distractions and present products with true-to-life colors.

Lifestyle Photography

Shows products in use, helping customers visualize them in real life. This type of photography evokes emotions and strengthens branding.

Packaging Photography

Highlights branding and showcases what customers can expect upon delivery, influencing purchase decisions.

Flat-Lay Photography

Products are arranged on a flat surface and photographed from above, ideal for showcasing multiple items at once.

Detail Shots

Close-up images highlight textures, craftsmanship, and key product features, offering a better sense of quality.

Group Shots

Displays different product variations in a single frame, making it easier for customers to compare options.

How to Photograph Products: Professional vs. DIY

Hiring a Professional

Professional photographers save time and ensure high-quality images. If you’re looking for experts, Claudia and Nadiaa (Atlanta, US) are great choices.

DIY Product Photography

For those on a budget, DIY photography is a viable option with the right setup and techniques.

DIY Product Photography in 5 Steps

1. Set Up Your DIY Studio

Essential equipment includes:

Camera & lens

Tripod

Lighting source

Lightbox

Foam board

Table

2. Choose the Right Style

Diagonal Style: Objects are arranged from back to front, with the tallest in the back.

Crescent Shape Style: Best for self-improvement products, arranged in a ‘C’ shape for an elegant look.

3. Use Proper Lighting

Natural light is ideal but inconsistent.

Artificial lights help maintain a consistent look.

Two light sources (primary + shadow softener) are recommended.

Use reflectors to minimize harsh shadows.

4. Capture Sharp and Steady Photos

Use a tripod to avoid shakiness.

Set a timer or remote shutter to maintain stability.

Adjust the aperture (high f-stop for clarity, low f-stop for blurred backgrounds).

5. eCommerce Photo Editing Service

Even with proper lighting and composition, post-production is crucial. Editing improves image sharpness, color balance, brightness, and contrast. Professional photo retouching service ensures flawless images that attract buyers.

eCommerce Photography Tips & Recommendations

Shoot from Different Angles

Customers want a 360-degree view of products. Consider offering interactive, rotatable images for an immersive experience.

Prioritize Natural Light

Natural light enhances product realism, increasing customer trust.

Include Lifestyle Images

Showcasing products in real-life settings builds emotional connections with potential buyers.

Use the Right Props

Props enhance storytelling and emotion. For example, green leaves and white towels complement organic skincare products.

Retouch and Adjust Color Tone

Basic retouching removes imperfections, while advanced editing ensures a polished look.

Compress File Size

Optimized images improve website speed without compromising quality, enhancing user experience and SEO.

Optimize for Maximum Reach

Use SEO-friendly file names and alt text to improve visibility in search engines, driving more organic traffic.

By mastering eCommerce photography, businesses can significantly boost conversions and establish a strong brand presence online. For any kind of photo editing service give us a free trial.

[tuffwrap]

Interior Tarp Protection: Safeguarding Your Space During Construction and Renovation

When undertaking construction or renovation projects, protecting the interior of a home or building is often overlooked. Dust, debris, paint splatters, and potential damage to furniture and flooring can lead to unnecessary expenses and headaches. This is where interior tarp protection comes into play as a simple yet effective solution to safeguard your space. Let’s explore how interior tarp protection works and why it’s an essential component of any project.

1. What Is Interior Tarp Protection?

Interior tarp protection involves using durable tarps or plastic sheeting to shield surfaces, furniture, and floors from construction-related damage. These tarps act as a barrier, preventing dust, debris, and spills from spreading to areas outside the work zone.

2. Benefits of Interior Tarp Protection

a. Dust and Debris Containment

Construction and renovation activities generate large amounts of dust and debris that can settle on furniture, carpets, and other surfaces. Interior tarp protection helps contain these particles, keeping your space clean and reducing the need for extensive post-project cleaning.

b. Furniture and Flooring Protection

Furniture and flooring are often at risk of scratches, paint spills, or heavy impacts during construction. By covering these items with tarps, you ensure they remain in pristine condition throughout the project.

c. Improved Safety

Loose debris and scattered materials can create slip-and-fall hazards. Tarp protection helps keep walkways clear and reduces the risk of accidents for workers and occupants.

d. Cost Savings

By minimizing damage to interiors, interior tarp protection can save you from costly repairs or replacements after the project is completed.

3. Types of Interior Tarps and Materials

a. Polyethylene Tarps

These lightweight and waterproof tarps are ideal for protecting against paint splatters, dust, and moisture.

b. Canvas Tarps

Canvas tarps are heavy-duty and provide excellent protection against sharp objects and heavy debris. They are reusable and eco-friendly.

c. Fire-Resistant Tarps

For projects involving heat or sparks, fire-resistant tarps offer an added layer of safety.

d. Clear Plastic Sheeting

Clear plastic sheeting allows for visibility while effectively containing dust and debris. It’s commonly used for temporary walls or enclosures.

4. How to Implement Interior Tarp Protection

Step 1: Prepare the Area

Clear the room of small items and movable furniture. For larger furniture that cannot be relocated, cover it entirely with a tarp.

Step 2: Secure the Tarp

Use masking tape, clips, or adhesive to secure the tarp firmly in place. Ensure there are no gaps where dust or debris can escape.

Step 3: Create Temporary Partitions

If the construction area is limited to one section of the building, use tarps to create temporary walls to isolate the work zone.

Step 4: Regular Maintenance

Inspect the tarps regularly for tears or dislodged sections and make necessary adjustments to maintain effective coverage.

5. Applications of Interior Tarp Protection

a. Home Renovations

Whether you’re repainting walls or remodeling a kitchen, interior tarp protection ensures other parts of your home remain unaffected.

b. Commercial Construction

In office spaces or retail establishments, tarps help protect furnishings and maintain a professional appearance during construction.

c. Emergency Repairs

For situations like roof leaks or broken windows, tarps can act as temporary protection until permanent repairs are made.

6. Choosing the Right Tarp for Your Needs

When selecting tarps for interior protection, consider:

Durability: Choose a material that can withstand the intensity of your project.

Size: Ensure the tarp is large enough to cover the required area or object.

Reusable vs. Disposable: Reusable tarps may be more cost-effective for frequent projects, while disposable options work well for one-time use.

7. Conclusion

Interior tarp protection is a simple yet invaluable solution for safeguarding your home or building during construction and renovation. By investing in high-quality tarps and implementing them effectively, you can protect your interiors from dust, debris, and potential damage, ensuring a smoother and more efficient project.

Whether you’re a homeowner, contractor, or business owner, incorporating interior tarp protection into your planning process is a proactive step that pays off in the long run. Protect your space, save on repairs, and enjoy peace of mind knowing your interiors are safe throughout your project.

[vipcarseatcover]

What are the best luxury car seat covers?

Luxury cars deserve the best, and that includes the comfort and style of their seat covers.

When it comes to enhancing your driving experience, choosing the right luxury car seat covers can make all the difference.

Whether you prioritize material quality, design options, or ease of maintenance, finding the perfect seat covers involves careful consideration.

Here’s a detailed guide to help you navigate the world of luxury car seat covers and make an informed decision.

Factors to Consider When Choosing Luxury Car Seat Covers

When searching for the best luxury car seat covers, several factors should influence your decision:

Material Quality

Luxury seat covers are often available in premium materials such as leather, Alcantara, and neoprene.

Leather: Known for its durability and luxurious feel.

Alcantara: Offers a blend of aesthetics and comfort.

Neoprene: Provides excellent water resistance and durability.

Custom Fit vs. Universal Fit

Custom-fit seat covers are tailored specifically for your car’s seats, ensuring a perfect fit.

Universal fit covers are more versatile but may not offer the same snug fit as custom options.

Design Options

Consider color choices, patterns, and textures that complement your car’s interior.

Opt for classic black leather for a timeless look.

Choose perforated designs for enhanced breathability.

Top Brands in Luxury Car Seat Covers

Several brands specialize in luxury car seat covers, each offering unique features and benefits:

Brand A

Known for premium leather seat covers that combine style and comfort.

Pros: Superior craftsmanship, customizable options.

Cons: Higher price point.

Brand B

Offers a wide range of Alcantara seat covers with various color options.

Pros: Luxurious feel, easy maintenance.

Cons: Limited design choices.

Brand C

Specializes in neoprene seat covers designed for durability and practicality.

Pros: Waterproof, affordable.

Cons: Less luxurious compared to leather and Alcantara.

Best Luxury Car Seat Covers by Material

Depending on your preferences and needs, here are some recommended options:

Leather Seat Covers

Known for their elegance and durability.

Recommended Brands: Brand A, Brand D.

Alcantara Seat Covers

Offers a luxurious suede-like feel.

Recommended Brands: Brand B, Brand E.

Neoprene Seat Covers

Ideal for all-weather protection and easy maintenance.

Recommended Brands: Brand C, Brand F.

Custom vs. Universal Fit Luxury Car Seat Covers

While custom-fit seat covers provide a tailored look, universal fit covers offer versatility:

Advantages of Custom Fit

Perfect fit that enhances comfort and aesthetics.

Tailored to your car’s specific make and model.

Situations Where Universal Fit is Sufficient

Cost-effective option for multiple vehicles.

Suitable for cars with standard seat sizes.

Installation Tips for Luxury Car Seat Covers

Whether you choose to install seat covers yourself or hire a professional, here are some installation tips:

DIY vs. Professional Installation

DIY: Follow manufacturer instructions carefully.

Professional: Ensures proper fit and avoids installation errors.

Step-by-Step Guide to Installing Seat Covers

Remove existing seat covers and clean seats.

Install headrest, backrest, and seat bottom covers sequentially.

Maintenance and Care Tips

To prolong the lifespan of your luxury car seat covers, follow these maintenance tips:

Cleaning Techniques

Use manufacturer-recommended cleaners for specific materials.

Regularly vacuum and wipe down seat covers.

Protecting Against Wear and Tear

Avoid sharp objects and excessive sunlight exposure.

Use seat protectors during outdoor activities.

Cost Considerations

Luxury car seat covers vary in price depending on material and brand:

Price Ranges

Leather: $$$ - $$$$

Alcantara: $$$ - $$$$

Neoprene: $$ - $$$

Value vs. Cost-Effectiveness

Consider long-term benefits such as durability and comfort.

Customer Reviews and Feedback

Before making a purchase, consider customer reviews to gauge product satisfaction:

Importance of Reviews

Real-world experiences provide valuable insights.

Look for reviews on comfort, durability, and overall quality.

Conclusion

Choosing the best luxury car seat covers involves balancing style, comfort, and practicality.

Whether you opt for the timeless elegance of leather or the modern appeal of Alcantara, prioritize quality and fit to enhance your driving experience.

Invest in seat covers that not only complement your car’s interior but also provide lasting comfort and protection.

[printing90]

The Ultimate Guide to Choosing the Best Printing Service

In today's fast-paced world, printing services are indispensable for businesses, organizations, and individuals. Whether you need to print business cards, brochures, banners, or personal projects, finding the right printing service is crucial. This guide will explore everything you need to know about choosing the best printing service, from understanding different printing methods to tips on selecting the right provider.

Table of Contents

Introduction to Printing Services

Types of Printing Services

Digital vs. Offset Printing

Important Factors to Consider

Benefits of Professional Printing Services

How to Choose the Right Printing Service

Understanding Printing Costs

Eco-Friendly Printing Options

The Future of Printing Services

Conclusion

1. Introduction to Printing Services

Printing services have evolved significantly over the years. What started as a manual and labor-intensive process has transformed into a highly sophisticated industry, driven by technology. Printing services now offer a wide range of options to cater to different needs, whether for personal, professional, or commercial purposes. From digital printing to offset printing, the choices are vast and varied.

2. Types of Printing Services

Understanding the different types of printing services available can help you make an informed decision. Here are some common types:

a. Digital Printing

Digital printing is one of the most popular and versatile forms of printing today. It involves transferring a digital image directly onto a variety of media. Digital printing is ideal for short runs and offers quick turnaround times.

b. Offset Printing

Offset printing is a traditional printing method that uses plates to transfer an image onto a rubber blanket, which then rolls the image onto the printing surface. This method is cost-effective for large print runs and offers high-quality, consistent results.

c. Large Format Printing

Large format printing is used for creating large-scale prints like banners, posters, and signage. This type of printing is perfect for marketing materials that need to stand out.

d. Screen Printing

Screen printing is commonly used for printing on fabric and other materials. It involves creating a stencil (or screen) and using it to apply layers of ink on the printing surface.

e. 3D Printing

3D printing is a revolutionary technology that creates three-dimensional objects by layering materials based on digital models. This method is used in various industries, including manufacturing, healthcare, and design.

3. Digital vs. Offset Printing

Choosing between digital and offset printing depends on your specific needs. Here’s a comparison to help you decide:

a. Quality

Offset printing generally offers higher quality prints due to the use of plates and ink. However, digital printing technology has advanced significantly, and for most applications, the quality difference is negligible.

b. Cost

Digital printing is more cost-effective for short runs, as there are no setup fees. Offset printing becomes more economical for larger print runs due to the lower cost per unit.

c. Turnaround Time

Digital printing offers faster turnaround times since there is no need to create plates. This makes it ideal for last-minute projects.

d. Flexibility

Digital printing provides greater flexibility with variable data printing, allowing for customization of each print. Offset printing is less flexible in this regard.

4. Important Factors to Consider

When choosing a printing service, several factors should be taken into account to ensure you get the best results:

a. Quality

Examine samples of the printing service’s work to ensure the quality meets your standards. Look for sharpness, color accuracy, and consistency.

b. Reputation

Research the reputation of the printing service. Read reviews and ask for references to gauge customer satisfaction.

c. Turnaround Time

Consider how quickly the printing service can complete your order. Ensure their turnaround time aligns with your project deadlines.

d. Customer Service

Good customer service is crucial. A reliable printing service should be responsive, helpful, and willing to address any concerns or issues.

e. Pricing

Get quotes from multiple printing services to compare prices. Be wary of services that offer significantly lower prices, as they may compromise on quality.

f. Technology

Check if the printing service uses up-to-date technology. Modern equipment can significantly impact the quality and efficiency of the printing process.

5. Benefits of Professional Printing Services

Hiring a professional printing service offers numerous benefits:

a. Expertise

Professional printing services have the expertise and experience to handle complex printing projects. They can provide valuable advice on materials, finishes, and design.

b. High-Quality Results

With professional equipment and skilled operators, professional printing services deliver high-quality prints that are difficult to achieve with home printers.

c. Time and Cost Savings

Outsourcing your printing needs to a professional service can save you time and money. They can handle large volumes efficiently, freeing up your time for other tasks.

d. Customization Options

Professional printing services offer a wide range of customization options, from paper types to finishes, ensuring your prints are unique and tailored to your needs.

e. Reliability

With a professional service, you can expect reliable results and timely delivery, which is crucial for meeting deadlines and maintaining your business’s reputation.

6. How to Choose the Right Printing Service

Choosing the right printing service involves careful consideration of several factors. Here are some tips to help you make the best choice:

a. Define Your Needs

Clearly define what you need from the printing service. Consider the type of printing, volume, and any special requirements you may have.

b. Research Providers

Research different printing services in your area or online. Look for providers with good reviews and a solid reputation.

c. Request Samples

Ask for samples of their previous work to assess the quality of their prints. This will give you a better idea of what to expect.

d. Check Equipment

Ensure the printing service uses modern, well-maintained equipment. This can significantly impact the quality and efficiency of your prints.

e. Compare Quotes

Get detailed quotes from multiple providers. Compare their prices, services, and turnaround times to find the best value for your money.

f. Visit the Facility

If possible, visit the printing facility to see their operation firsthand. This can give you confidence in their capabilities and professionalism.

7. Understanding Printing Costs

Printing costs can vary widely depending on several factors. Here’s what you need to consider:

a. Type of Printing

The type of printing (digital, offset, large format, etc.) will affect the cost. Digital printing is generally more affordable for short runs, while

[codeavailfan]

C vs C# Detailed comparison by Experts you should know

Here this moment, authorities will unveil to you on C versus C# in detail with model. 

Nowadays, where you have a lot of programming lingos to explore, it's hard to make data on which language to utilize when you set up your endeavors. In any case, C and C# are two of the top programming tongues. The two lingos are definitely not hard to learn and subject to the thing orchestrated programming topics. Before we investigate the capabilities, let us overview two or three highlights of each and how they are adding to the programming appear. 

Difference between C vs C# 

C Language: 

This language is a center programming language that was made at Bell inspect lab in 1972 by Dennis Ritchie. C language joins the properties of low level and raised level language. In this manner, its idea with respect to a center programming Language. 

C might be a high programming language that licenses you to make PC code and moveable applications. There are 32 firm catchphrases utilized in the C language. It's an ideal language for making a PC code structure. 

The critical features of C language are: 

Low-level way to deal with memory 

A direct plan of watchwords 

Clean style 

C# Language: 

C# is a noteworthy level, an article organized programming language that other than filled in as an advancement of C. It was made by a social affair at Microsoft lead by Anders Hejlsberg in 2002. It's masterminded in the .NET structure, yet its spine is still obviously the C language. 

C# orders into byte-code, instead of machine code. That construes it executes on a virtual PC that makes an interpretation of it into machine code on the fly. It joins squander assortment, uninitialized variable checking, bound checking, and type checking capacities to the base C code. 

It regularly watches use inside or attempt applications, instead of business programming. It's found in customer and server improvement in the .NET structure. 

Sorts of programming advancement structures: 

Speedy application improvement adventures 

Gigantic or little gatherings, web applications 

Endeavors realized by individuals 

Endeavors with extreme immovability necessities. 

Essential Differences Between C and C# 

Both C versus C# are remarkable decisions in the business; let us take a gander at a piece of the basic Differences Between C vs C#: 

Since C# is based, Syntaxes will, overall, be what's progressively, comparative. Regions utilized for isolate coding structures, and C-style object-arranged code that joins conditions and libraries are on an exceptionally essential level proportionate to. 

Moving from C# to C++ is likely coherently irksome in light of the fact that it's a basically progressively low-level language. C# handles an exceptional bit of the overhead that must be assessed in a C++ program. This is one enormous explanation C++ is viewed as an evidently irksome language too. 

C is low level and lets you get truly near the machine, yet it's a procedural language. Huge in our setting that. It recommends it has no perception of articles and legacy. 

Continuously about C versus C# 

C# is overall not equivalent to C/C++. I recognize some piece of its name began from C++ ++, by then taking the second '++' and putting it under the first to make the '#' picture. Showing they acknowledge they're the third in the course of action. That being communicated, if you had a go at making a C++ report into a CS record, you're going to increase some ghastly encounters. It won't work in any capacity whatsoever. 

We surmise you could state C# and C++ share a lot of work on speaking Java and JavaScript. Which share as much inside and out that truly matters as Ham and Hamster. JavaScript was named in that limit, so individuals would think it had something to do with the primary language Java. 

Which was, by at that point, outstanding, so essentially eagerly following their achievement in some tricky substance move. The equivalent may be significant with C#. Individuals recognize it has to do with C++, so they give it a shot. I wouldn't get it past Microsoft, considering the way that, before C#, they made J++, which was on an essential level only Java with little distinction. After a case, they expected to exhaust it and made C#. 

C# is passing on my supported programming language. While it may not be as smart, it has consistent heaps of luxurious highlights that make life less troublesome, similar to verbalization body individuals, get and set properties, Linq, and so on. 

They're tenaciously including new things and causing it so you can do what used to take 10 lines of code into 1 line. This is essential to me since I feel that what sets aside a program a long effort to make shouldn't be reality you need to type a ton, that shouldn't be the variable. What picks the period ought to be the way by which clever you are and how complex what you're trying to do is. 

C# shields you from doing certain things that C/C++ awards you to. In any case, a piece of these things were things that you could never need to do in any case. They were clearly some botch that would incite some extremely odd direct. Likewise, you don't have the foggiest thought why, for instance, giving out in an unanticipated field or having '5;' as a clarification. That line of code isn't "doing" anything, so C# won't let that run since it was probably a bumble. 

Masterminded tongues: 

Both C vs C# have planned tongues. This proposes before an application is continued ahead a PC or the server, the code must be changed over to matches and some time later executed. An executable EXE report is a genuine occurrence of an orchestrated record that could be written in C++ or C#. 

Article masterminded plan: 

Undoubtedly, even the way that the legitimate structure changes to an astounding degree, the immense contemplations like classes, legacy, and polymorphism continue as previously. 

C vs C# Comparison Table 

C program suits Hardware applications, framework programming, chip sorting out, and installed gadgets. 

Basic information types included: int, coast, twofold, and devour. 

Rigid number of catchphrase utilized in C programming: 32 

There is just a lone chief sort open in C 

A sifted through programming language. 

The execution stream consolidates top-down characteristics. 

C# 

Through and through reasonable for application and web application progress. 

Basic information types included: int, glide, twofold, and devour, Boolean, which is utilized to oversee unsurprising activities. 

Undeniably the amount of catchphrase utilized in C# programming: 87 

C# recalls 2 pivotal arrangements for it. 

A thing composed programming language. 

C# follows a base up program structure for execution. 

Straight on assessment among C vs C# 

1.Size of copies 

C: C is a joined language, which will make our codes in the equal reports. 

C#: C# is furthermore an arranged language, Which changes over customer code into twofold records. 

2. Execution 

C: C is a by and large used programming language. C code speedier than other programming lingos. 

C#: C# code is more delayed than a C programming language. 

3. Waste combination 

C: C programming, various programming engineers need to manage memory task and deallocation. 

C#: In C# programming, the designer doesn't overemphasize memory the administrators. 

4. Sorts of Projects 

C: We use C language in the endeavors. 

C#: C# programming generally used for web and work territory based applications. 

5. Compiler advised 

C: In the programming language, a product designer can make any code. 

C#: In the C# programming language, an engineer can make code for what they have to make. 

Which Language might you want to use for your endeavor? 

C# masters and C++ fashioners have various extents of limits, so you can post an extension and comprehend which stage is ordinarily convincing for your undertaking in the wake of examining the various sides. 

A solid general guideline is that web and work an area improvement is finished utilizing raised level language, for instance, C#. C# is a touch of the .NET language, which is explicitly expected for web improvement. 

In any case, it besides works successfully with Windows-based endeavors. In spite of the way that Microsoft is attempting to port its language to the Linux framework, it is immaculate to stay with the C# and Windows conditions. 

C++ is considerably increasingly balanced correspondingly as stages and target applications, yet the maker pool is consistently constrained considering the way that it's not as standard for web and versatile applications. 

In case your undertaking bases on unfathomably low-level dealing with, you may require a C++ originator. You can in like way use C++ to make practical, smart applications for server-side programming. 

At long last, you can use C++ altogether more than C#, yet it's not regularly the most helpful approach to manage deal with your undertaking. 

In like manner, the ideal method to manage pick the correct language is to post your expand and ask organizers their assessments. Fashioners and supporters for the two vernaculars will evaluate their considerations and give you more data on your particular set out to assist you with picking.

Conclusion: In this blog, We explain the difference between C vs C#. As we discussed several features of the C and C# programming languages.

In addition, C# is a straightforward, broadly useful language that has been institutionalized, yet we, for the most part, observe it with .NET system on Windows, while C++ is generally utilized. C# was, for the most part, evolved as a Microsoft elective for the strong Java.

Finally, While C++ needs to follow appropriate engineering and the code has certain officials. C# code is created as parts so it can fill in as a lot of remains solitary modules autonomous of one another. C++ accompanies a lot of highlights that are amazingly appropriate for complex programming systems.

While C# has restricted and straightforward highlights that are generally enough for a basic web application.

If you want to get any computer science assignment help and computer science homework help related to programming assignment help. You can get the best C Programming Assignment Help at an affordable price within a given deadline.

[ruby-whistler]

a complete list of my writing and analysis

[ updated: 29/08/2021 ]

PSA's and the like:

- therapy vs. emotional support - on excusing c!tommy's actions because of ptsd - static vs. dynamic characters on the dream smp (outdated) - important things to keep in mind during analysis and discussions - characters aren't synonymous with their past actions - the dehumanization of c!dream in the dsmp fandom - tag your positive posts! / tag your crit! - welcome to dreblr - the unofficial guide

memes and joke posts:

- what freaks out the dream smp fandom - c!karl & c!dream my beloveds <3 - dream apologist vibes - scratch that no vibes send help - the "i'm you" c!ranboo bit is beginning to make a lot more sense - "fighting with words" and "talking with violence" on the smp - the fandom's both biased and hypocritical apparently - *casually hates on l'manberg again* - "why are you a dream apologist?" - "c!dream and techno are imminent threats" yeah sure- - the five stages of grief ft. ruby (3rd life smp ending) - hermits' vibes by ruby; the only trustworthy source of information /j - l'manberg weren't pacifists nor the victims in the war - ...so c!wilbur said c!dream apologists are partially right - it's "l'manberg" and i take no criticism - why are we here, just to suffer - why friend isn't in wilbur's limbo - look, i don't excuse c!dream's actions. ok maybe some of them- - c!everyone apologists are the best at analysis - apparently we have the most angst and hurt/comfort fanfic. Why - meme through the pain i want him back pls - dream apologists are an unstoppable force of nature - this is how endersmile happened, right - the only valid dsmp citizen meme - oh look i still follow booktubers - i want you all to suffer as much as i suffer dealing with you - i like c!dream for being horrible. fight me. // genuinely love him too - the l'manberg anti salt post - healing fics that remove a character's core trait are not good

creative essays and objective analysis:

- on villains, heroes, and the metanarrative of the dream smp - my perception of the dream smp story and the characters in it - putting ghostbur's death into context - an analysis of c!dream's motivation during the l'manberg war - on l'manberg and c!wilbur's "death of the author" - dehumanization and victim blaming of c!dream part one - please let people have feelings about minecraft rp - dehumanization and victim blaming of c!dream part two - the reasons for the dehumanization of c!dream - c!wilbur was sure as hell gonna be ambitious - c!dream cares about people so much he won't let them care back - why c!dream should (and probably will be) redeemed: an essay - short semi-factual analysis of the prison death scene - there's no redemption before healing - what happened to c!techno wasn't "peer pressure" (best post!) - a scene-by-scene analysis of the original disc war - on blaming characters for c!dream's neglect and abandonment - add-on to the previous point by me and @/simplepotatofarmer - l’manberg was nothing but something to sacrifice for [v. 2.0!] - metaphor on the nature of redemption in narratives - statement on c!dream, justification and sympathy - c!dream's actions aren't based on beliefs; they stem from mindsets - c!tommy didn't deserve exile and c!dream didn't deserve the prison - (c!)dream is afraid of death; a speculative essay - c!dream isn't selfish - c!dream cares even if it hurts him - saying c!dream / c!techno should've left l'manberg alone is naive - with c!techno, c!dream is allowed to be a person, above all else - c!dream isn't the "main villain" and he hasn't "hurt everyone" - saying c!dream never cared is a mischaracterization (by anon) - c!dream isn't manipulating c!ranboo, actually (collab post) - c!dream is very clearly hurt - his trauma isn't loud, but it's there - l'manberg was, without question, built on xenophobia - please listen to the writers of the story about the characters - roleplay is supposed to be collaborative, not pre-written - the dream smp also doesn't need a "lead writer" - the common misinterpretations of c!dream and why no one is right - final disc war analysis and why it makes no sense (by anon) - why i am so attached the c!dream's character - on healing, redemption, and forgiveness - c!dream killed c!tommy to prove he was worth keeping alive - the duel is an example of actions that speak louder than words - the themes of the story line up with c!techno's narrative - c!sam hurts c!dream out of hatred stemming from fear - c!dream in season one was an anti-hero - c!sapnap is a bad friend // and acts like a bad person // + el rapids - yes, morality is a sliding scale! ...they're still all in the grey area! - a c!dream redemption'd fit incredibly well with the story's themes - a pretty long list of loose ends in the dream smp's story - c!dream wasn't owed being cared about, but he was still alone - i love c!dream. he's important to me. and that's okay. - scar is so funny and entertaining and amazing i love watching him - there's a difference between "unrealiable narrator" and "liar" - don't cut the sharp edges off of characters - people have a "minecraft persona", which c!dream used to be - on c!dream's alleged obsession with c!tommy - colour coding in dsmp analysis - by coffee anon!

[erictmason]

The Road To “Godzilla VS. Kong”, Day One

KING KONG VS. GODZILLA (AMERICAN VERSION)

Originally Released: June 26th, 1963

Director: Ishiro Honda

Writers: Shinichi Sekizawa, Paul Mason and Bruce Howard

Starring: Tadao Takashima, Kenji Sahara, Ichiro Arashima, Mie Hama, Michael Keith, Harry Halcomb

“King Kong VS. Godzilla” is a movie whose reputation often precedes it amongst certain circles of Genre Film fans.  Even if one is unaware of the convoluted, more than slightly seedy story behind its creation (short version: the original “King Kong”’s special-effects artist, Willis O’Brien, was interested in creating a sequel that would have pitted Kong against a giant animalistic version of the Frakenstein Monster, but shady producer John Beck wound up stealing the idea and, when American studios balked at the project for fear that the use of stop-motion animation to realize the effects work would be too expensive, wound up shopping it to the more cost-effective Toho Studios in Japan, who reconceived it as a new “Godzilla” project in hopes of revitalizing interest in the character), it is still one of the most singularly important Giant Monster Movies ever made.  For one thing, it basically defined The Kaiju Movie as we know it today; sure, the original “Gojira” from 1954 (and by extension its Americanized adaptation, “Godzilla: King of the Monsters” in 1956) may have effectively created the genre, but you’ll notice the majority of such movies that exist today are more about Fanciful Title Bouts between two Clashing Monsters rather than somber moody Allegories about the horrors of Nuclear Weapons.  For another, it’s the movie that really put Godzilla himself on the map as a Big Star in his own right; at the time, he only had two prior films to his name, and while one of them was the aforementioned genre-creating watershed “Gojira”, the other was “Godzilla’s Counterattack” from 1956, which proved such a box-office disappointment that it put the character into retirement for the better part of a decade (and to give you a sense of just how much less weight the name “Godzilla” carried back then, when that movie was released in America in 1959, it was initially re-titled “Gigantis The Fire Monster”).  With “King Kong VS. Godzilla”, however, he would begin to star in more and more movies, building a film franchise that continues to this day.  

So it’s a bit of a shame that I’ve never liked it all that much.

To be clear, the “it” in question here is specifically the American version of the movie, which is the one most Western audiences would be familiar with since, until recently, it was the only one readily available to us (though Criterion finally corrected that back in 2019, when they included the original Japanese version of the movie as a bonus feature in their “Showa Era” collector’s set).  Certainly, it’s the one that I grew up watching as a kid, when my mom, ever so protective and knowing how easily upset I could be when Fictional Characters I Loved got hurt, made sure to watch ahead to see who exactly won the title match-up (and since it was Kong, I wouldn’t actually get around to finishing my viewing of the movie for a good long while).  Back then, of course, I viewed it very much through that childish prism of who I thought should win, and it was exactly the kind of Schoolyard Logic you’d expect: Kong was supposed to be a great deal smaller than Godzilla, and where Godzilla had his iconic fire breath, Kong had no extraordinary powers; Kid Me understandably concluded that this match-up really ought to be a shoe-in for Godzilla, which worked out well since Godzilla just so happened to be the one Kid Me actually cared about.  Kid Me was thus quite irritated to discover that, for the sake of this movie, Kong had in fact been significantly sized up and given random electricity-absorbing powers.  It felt like cheating to Kid Me, and it left me less than positively disposed towards the film proper.

These days, of course, I’m able to give the film a somewhat fairer shake, though I would be lying if I said that My Inner Childish Fan-Boy is completely quiet on the matter (in particular, it always bothers me that, to emphasize the advantage Kong’s electrical powers give him in their fight, the movie explicitly cites Godzilla’s “vulnerability” to electricity, despite one of the most singularly iconic images of the original “Gojira” being his ability to walk straight through a power-line barricade).  Indeed, my most recent re-watch for this very review honestly left me feeling fonder toward it than I was even on my last most recent re-watch (back in 2014, in preparation for the then-upcoming Gareth Edwards “Godzillla”, which we’ll also be getting to in this re-watch soon).  The portrayal of the title monsters themselves in particular left me much happier this time around than it has in the past; the design for Godzilla himself- thick around the center with big heavy-browed eyes and what appears to be a constantly self-amused grin, huge sharp claws that dominate the fingers and a tail that moves with a real sense of weight and purpose-took me a long time to warm up to, for example, but these days I would happily cite it as one of the very best of the original series.  Kong gets it a bit worse, sadly; the suit they design for him here (a fact that original “Kong” director Merian C. Cooper openly despised, incidentally; the idea of portraying Kong as just some guy in a gorilla costume was one of the things he explicitly set out to avoid in the original movie) has a distinctive enough face if not an especially memorable one, but the costume always looks and feels a bit raggedy, with the sagging pecs and ill-fitted arms (throughout the movie the suit switches between “regular” arms designed to allow the actor mobility, and extended arms to help give it a more ape-like gait; the result is that both versions feel weirdly out of place on the costume a lot of the time) looking especially awkward.  However, even beyond how they look, the way the monsters act is genuinely enjoyable, with Haruo Nakajima as Godzilla and Shoichi Hirose as Kong both putting in fantastic performances that imbue them with a great sense of personality that is just consistently delightful all movie long.  Whether it’s Godzilla hopping around, arms flailing in triumph whenever he manages to pull off another victory, or Kong drunkenly swallowing up giant pots’ worth of a narcotic usd to keep him docile, the movie very visibly delights in imbuing these creatures with fun foibles, and It’s no coincidence that the it’s at its strongest, not so much when the monsters are fighting, but when they are simply interacting as actual Characters: Godzilla here feels often like a particularly arrogant, boundlessly-energized child, while Kong is a bit more confused and subdued but quick to anger when irritated; their first meeting, when both these strong visible personalities most openly bounce off each other, is unquestionably my favorite moment of the movie.

The rest of it isn’t exactly bad, per se, but it is a lot less entertaining.  Some of that is simply what the American version inherited from the Japanese original, not least of all the noxiously racist portrayal of the Natives living on a remote pacific island with Kong (here named “Faro Island” for some reason instead of the usual “Skull Island”).  On top of the sins it recreates from the original “King Kong” (a fairly ooga-booga understanding of What Islanders Are Like, all of whom are portrayed by non-Native actors slathered in brownface make-up), it also includes a decently insulting bit wherein the initially-hostile islanders are pacified by the introduction of “magic” in the form of a hand-held radio and cartons of cigarettes.  There’s also the fact that the plot is driven almost entirely by Random Contrivance rather than anything that flows naturally from either the characters or the premise; Godzilla and Kong have no real compelling reason to meet, let alone fight, other than the pure coincidence of their both happening to be active at around the same time in the same part of the world (the American version attempts to ameliorate this somewhat by stating that the two are “instinctive rivals” who will be “naturally driven to destroy one another”, but that flimsy lip-service to Motivation just winds up making the otherwise-arbitrary plotting feel all the worse), and we are constantly bombarded by Total Coincidences as a way of shuffling the characters around from place to place with dizzying frequency.  But some of those troubles are only exacerbated by the approach the American version has taken to the material.  We’ll talk about this more tomorrow, but the Japanese “King Kong VS. Godzilla” is, at heart, a Satirical Comedy; this, unsurprisingly, was not an idea that went over well with Universal Studios in America, who chose to try and reshape that comedy into a more traditional Monster Movie.  An understandable objective, but not one the Japanese cut of the film made easy to achieve; to avoid the most overt Comic bits meant cutting almost all of the human characters in the film (most notably the eccentric executive Mr. Tako, played by Ichiro Arishima) down to only their most essential appearances, which in turn means that they all wind up feeling vaguely undefined and out of place in their own story (this feels especially true of our ostensible main character, Tadao Takashima‘s Sakurai, who is present enough to FEEL like a main character but has little left to do in this cut of the film). To make up the weight of all that cut footage, meanwhile, we get gobs of new footage consisting mostly of Michael Keith as a United Nations reporter talking at us in the most stultifying way possible, often joined by Harry Holcombe as an equally stultifying scientist (who apparently gets his knowledge of dinosaurs primarily from children’s picture books, which in fairness would explain a lot of the nonsense he ends up saying), though he also frequently talks with a fellow reporter played by James Yagi.  These scenes are not, perhaps, without their charms, but they also deaden the movie’s pacing, especially since nine times out of ten they exist mostly to reiterate stuff we already know because it literally just happened.  Given how much a faster pace seems to be one of the American cut’s top priorities (a sub-plot from the Japanese version about a submarine inadvertently encountering Godzilla is reduced to a single sequence for this version), that choice proves a counterintuitive one.

Because the other major problem with the American approach to this movie is that, to be frank, the Monster Action is nowhere near Epic enough to bear the weight this new cut puts on it.  Again, it’s not without its merits; Godzilla and Kong’s outsized personalities do a lot to lend even the less effective sequences a certain fun spirit, and there is still an unmistakably strong sense of craftsmanship to the miniatures used throughout the movie to create the appropriate sense of scale for our Monsters to play around in (the demolition of a recreation of Atami Castle shines a spotlight on that very fact).  But in terms of both their scope and their choreography, there’s just not enough There there; far too often, “King Kong VS. Godzilla”’s Big Marquee Action Scenes amount to the monsters just sort of lazily throwing rocks at each other, or else engaging in less-interesting recreations of their previous Iconic Moments (Kong especially goes through a truncated version of his original appearance’s third act, though here he ends up on top of the National Diet Building rather than the Empire State Building).  That’s slightly less of a problem in the Japanese version; again, there, the main thrust of the film lies in its comedy, and thus the Monster Action being relatively lightweight is less of a hinderance and more a spicy Flavoring to the main story.  But here, it is the main story, and while it’s pretty clear some real love went into the Effects Work (the puppetry especially is very solid; there are a few instances where the switch from Suit Actor to Puppet for Godzilla is borderline seamless, and I also enjoy the decently-animated feel of Kong’s facial puppet as well) it ultimately doesn’t have nearly enough substance to fill that role. This comes through especially clearly in the Final Showdown between the monsters; again, there is some deservedly iconic stuff here (Kong trying to shove a tree down Godzilla’s throat only to have it rebuffed in a puff of flames has become an impressively-enduring Meme for a reason) but, much like most of the story, winds up being driven far more by Contrivance than anything clever or satisfying (a bit where Kong knocks himself over feels especially annoying for how unmotivated it seems to be). It was always going to be a tall order to make a match-up with as much implicit weight to it (both metaphorical and literal) live up to the heightened expectations placed on it, maybe.  But even taking that into account, it’s hard not to feel like “King Kong VS. Godzilla” could have put a little more effort into things.

Still, I was saying, at the start, that I walked away from “King Kong VS. Godzilla” happier this time than in many of my past viewings.  And that is ultimately true: for as much as I find myself often wishing it could be a different movie, the movie it actually is already does manage to work decently well on its own terms.  The dub-work here in particular honestly deserves notice; in contrast to the standardized casts Toho would start using for most of its “Godzilla” movies moving forward, here we get a more distinctive sounding voice-cast who manage to put some real Life into their performances (the voice they give to Kenji Sahara’s Fujita stands out especially to me, nasally and over-earnest but capable of some real Fire when the moment calls for it, as befits the character).  And, again, whatever my beef with the Action Scenes, the actual portrayal of the Monsters really is uniquely fun (indeed, given how many other elements Toho would consistently crib from it, I’m often surprised that Godzilla’s distinctive body language throughout isn’t one of them), which winds up giving the movie enough Real Heart in the end to make it a positive Experience overall, even against the stuff that even now stands out to me as Not Up To Snuff.  At the very least, it’s a lot easier for me to recognize how and why this movie created the Legacy it did, even if the American Version makes a bit more of a mess out of it.  

[angst-for-the-angst-queen]

Septics vs Ipliers vs Sides Hunger Games

I did this back in February, but I only just now typed it all out and added comments. Back then, and to this day, I have never seen anyone do a BrantSteele Hunger Games Simulator with the Septics, Ipliers, and Sides all at once, so I decided to do it! Enjoy!

The Districts

District 1 - Jameson Jackson and Chase Brody

District 2 - Jackieboy Man and Marvin the Magnificent

District 3 - Henrik von Schneeplestein and Antisepticeye

District 4 - Markiplier and Jacksepticeye

District 5 - Googleplier and Bingiplier

District 6 - Darkiplier and Wilford Warfstache

District 7 - The Host and Dr. Iplier

District 8 - Cameraman Jim and Reporter Jim

District 9 - Roman Sanders and Virgil Sanders

District 10 - Patton Sanders and Logan Sanders

District 11 - Janus Sanders and Remus Sanders

District 12 - Thomas Sanders and Remy Sanders

~*~

The Bloodbath

As the tributes stand on their podiums, the horn sounds.

Remus stabs Jameson with a tree branch. (Why am I not surprised that Remus got the first kill with an unusual weapon and Jameson was the first to die?)

Remy retrieves a trident from inside the cornucopia.

Chase runs away from the Cornucopia.

Marvin runs away from the Cornucopia.

Cameraman Jim runs away from the Cornucopia.

Janus grabs a backpack, not realizing it is empty. (I guess you could say that the backpack deceived him? I’ll leave…)

Host grabs a shield leaning on the Cornucopia.

Thomas runs away from the Cornucopia.

Seán runs away from the Cornucopia.

Anti runs away from the Cornucopia.

Mark and Google fight for a bag. Google gives up and retreats. (Mark probably used the “Okay, Google” command on him.)

Virgil runs away with a lighter and some rope.

Wilford snatches a pair of sais.

Bing grabs a backpack and retreats.

Logan runs away from the Cornucopia.

Dark and Henrik fight for a bag. Dark gives up and retreats.

Roman rips a mace out of Dr. Iplier’s hands. (Are… are you going to give that to your brother?)

Patton runs away from the Cornucopia.

Jackie convinces Reporter Jim to not kill him, only to kill him instead. (Woooow, Jackie. That’s not very superhero-like.)

~*~

Day 1

Remus questions his sanity. (Dude, your sanity is nonexistent.)

Host goes hunting.

Cameraman Jim scares Henrik off. (How?! With the talk of demons?!)

Chase tries to sleep through the entire day.

Anti travels to high ground.

Janus begs for Roman to kill him. He refuses, keeping Janus alive. (He must have known Janus was lying.)

Patton explores the arena.

Dark cannot handle the circumstances and commits suicide. (You... you saw what happened to the Actor. You are part Evil House Entity, you can’t die. You’re just making the same mistakes Actor made.)

Mark receives medical supplies from an unknown sponsor.

Logan fishes.

Seán receives fresh food from an unknown sponsor.

Wilford, Bing, and Thomas hunt for other tributes.

Google dies from thirst. (How is that possible?!)

Virgil bashes Jackie’s head against a rock several times. (Virgil, is your para-vigilance getting to you?)

Dr. Iplier explores the arena.

Marvin makes a slingshot.

Remy hunts for other tributes.

~*~

Fallen Tributes 1

5 cannon shots can be heard in the distance.

Jameson

District 1

Reporter Jim

District 8

Dark

District 6

Google

District 5

Jackie

District 2

~*~

Night 1

Bing and Remy talk about the tributes still alive.

Dr. Iplier is awoken by nightmares.

Roman is awoken by nightmares.

Virgil looks at the night sky. (OH, THAT’S SO CO-OO-OO-OO-OL! Wait, wrong person.)

Seán screams for help. (Typical.)

Patton sees a fire, but stays hidden.

Chase and Cameraman Jim tell stories about themselves to each other.

Host stays awake all night.

Remus is unable to start a fire and sleeps without warmth.

Thomas tries to treat his infection.

Anti and Wilford tell stories about themselves to each other. (Just imagine the stories these two would tell…)

Henrik tends to his wounds. (He’s putting his cereal box doctor’s license to good use.)

Marvin thinks about winning.

Mark climbs a tree to rest.

Logan starts a fire.

Janus goes to sleep.

~*~

Day 2

Bing goes hunting.

Roman poisons Thomas’ drink, but mistakes it for his own and dies. (He just tried to kill his own host. Thank goodness he doesn't have a mustache, or else I couldn't tell who the evil twin is.)

Seán, Patton, Dr. Iplier, and Chase hunt for other tributes.

Remy receives fresh food from an unknown sponsor. (Is it Hello Fresh?)

Wilford discovers a river.

Remus receives clean water from an unknown sponsor.

Anti searches for a water source.

Henrik tends to Janus’ wounds. (The good doctor’s services are needed yet again.)

Host kills Mark for his supplies.

Logan tries to sleep through the entire day.

Virgil severely injures Cameraman Jim, but puts him out of his misery. (What did Cameraman Jim ever do to you?!)

Marvin explores the arena.

~*~

Fallen Tributes 2

3 cannon shots can be heard in the distance.

Roman

District 9

Mark

District 4

Cameraman Jim

District 8

~*~

Night 2

Patton questions his sanity

Thomas sees a fire, but stays hidden.

Chase tends to Henrik’s wounds.

Logan looks at the night sky. (Still not the right person.)

Dr. Iplier defeats Host in a fight, but spares his life.

Virgil screams for help. (Virgil, you doing okay buddy?)

Wilford receives fresh food from an unknown sponsor.

Seán bashes Bing’s head against a rock several times.

Anti convinces Remus to snuggle with him. (...)

Marvin receives clean water from an unknown sponsor.

Remy and Janus huddle for warmth.

~*~

Day 3

Wilford defeats Seán in a fight, but spares his life. (Seán’s probably the only person who survived a fight against Wilford.)

Remus runs away from Thomas.

Marvin dies from an infection.

Henrik tries to spear fish with a trident.

Anti tries to sleep through the entire day.

Chase begs for Remy to kill him. He refuses, keeping Chase alive. (C H A S E. N O.)

Host goes hunting. (That’s the second time he’s done this.)

Logan makes a wooden spear.

Patton, Janus, Virgil, and Dr. Iplier hunt for other tributes.

~*~

Fallen Tributes 3

2 cannon shots can be heard in the distance.

Bing

District 5

Marvin

District 2

~*~

Night 3

Virgil and Host hold hands.

Wilford dies from an infection.

Chase and Thomas huddle for warmth.

Patton loses sight of where he is.

Seán tends to Dr. Iplier’s wounds. (Dr. Iplier: “I’m sorry, I’m dying.” Seán: “I’m sorry, you’re an idiot.”)

Janus, Remus, and Anti discuss the games and what might happen in the morning. (This alliance scares me.)

Remy ambushes Henrik and kills him.

Logan climbs a tree to rest.

~*~

Day 4

Remy and Patton hunt for other tributes.

Host, Virgil, and Seán track down and kill Remus. (I guess Virgil and Host holding hands must have led to an alliance.)

Chase injures himself. (Chase, stop being so clumsy.)

Logan travels to higher ground.

Janus thinks about home. (Does this mean he’s technically thinking about Thomas?)

Thomas searches for firewood.

Dr. Iplier receives a hatchet from an unknown sponsor.

Anti sees smoke rising in the distance, but decides not to investigate.

~*~

Fallen Tributes 4

3 cannon shots can be heard in the distance.

Wilford

District 6

Henrik

District 3

Remus

District 11

~*~

Night 4

Thomas, Host, and Remy sleep in shifts.

Dr. Iplier tends to his wounds.

Logan and Patton sleep in shifts.

Seán looks at the night sky. (Why is everyone looking at the night sky except Mark?)

Chase and Janus hold hands.

Anti attempts to start a fire, but is unsuccessful. (Maybe he should try starting a community fire. That’s always successful.)

Virgil cries himself to sleep. (Virgil’s definitely not doing okay.)

~*~

Day 5

Chase, Dr. Iplier, Host, and Thomas raid Logan’s camp while he is hunting.

Seán diverts Patton’s attention and runs away. (He probably was just like “Look! A puppy!”)

Virgil discovers a river.

Remy constructs a shack.

Anti discovers a cave.

Janus hunts for other tributes.

~*~

Fallen Tributes 5

No cannon shots can be heard in the distance.

~*~

Night 5

Virgil begs for Seán to kill him. He refuses, keeping Virgil alive. (V I R G I L. N O.)

Janus tries to sing himself to sleep. (Janus: “These goals are only merely hope we quickly leave behind. They're lies lies lies lies lieeees.”)

Host receives a hatchet from an unknown sponsor.

Chase quietly hums.

Remy and Dr. Iplier run into each other and decide to truce for the night.

Anti, Thomas, Patton, and Logan sleep in shifts.

~*~

Day 6

Anti shoots a poisonous blow dart into Host’s neck, slowly killing him.

Seán explores the arena.

Chase hunts for other tributes.

Virgil constructs a shack.

Dr. Iplier picks flowers. (Do they have medicinal properties?)

Janus explores the arena.

Remy and Logan split up to search for resources.

Patton tends to Thomas’ wounds.

~*~

Fallen Tributes 6

1 cannon shot can be heard in the distance.

Host

District 7

~*~

Night 6

Janus throws a knife into Logan’s chest. (What’s up with the Dark Sides and throwing sharp objects at Logan?)

Chase stays awake all night.

Virgil, Patton, and Anti discuss the games and what might happen in the morning.

Dr. Iplier receives an explosive from an unknown sponsor.

Remy thinks about home.

Thomas climbs a tree to rest.

Seán bleeds out due to untreated injuries. (*KJSE intensifies*)

~*~

The Feast

The cornucopia is replenished with food, supplies, weapons, and memoirs from the tributes’ families.

Dr. Iplier steals Thomas’ memoirs.

Virgil falls into a pit and dies.

Chase decides not to go to The Feast.

Remy decides not to go to The Feast.

Janus, Patton, and Anti get into a fight. Janus triumphantly kills them both. (Wow, the snake killed the frog and the turtle.)

~*~

Day 7

Janus picks flowers. (Janus just killed two people and then started picking flowers.)

Thomas falls into a frozen lake and drowns.

Dr. Iplier receives a hatchet from an unknown sponsor. (Isn’t that the second hatchet he received?! Who’s giving them to him?! Celine?!)

Remy defeats Chase in a fight, but spares his life.

~*~

Fallen Tributes 7

6 cannon shots can be heard in the distance.

Logan

District 10

Seán

District 4

Virgil

District 9

Patton

District 10

Anti

District 3

Thomas

District 12

~*~

Night 7

Remy, Janus, Chase, and Dr. Iplier tell each other ghost stories to lighten the mood.

~*~

Day 8

Dr. Iplier cannot handle the circumstances and commits suicide.

Remy unknowingly eats toxic berries.

Chase kills Janus with a sickle.

~*~

Fallen Tributes 8

3 cannon shots can be heard in the distance.

Dr. Iplier

District 7

Remy

District 12

Janus

District 11

~*~

The Winner

The winner is Chase from District 1! (And the protagonist wins! Why am I not surprised?)

~*~

Kill List

3 kills - Virgil and Janus

2 kills - Seán and Host

1 kill - Chase, Jackie, Anti, Remus, and Remy

[defjux]

Defjux’s Top 100 Hip Hop Albums of The 2010s Took longer than expected but i said i’d get around to it so here it is: 100 of my favorite hip hop albums of the 2010s. Nothing objective about this list, it’s based entirely on personal impact and what albums I found myself going back to the most throughout the last 10 years. It’s my list, so of course that means multiple billy woods, Aesop, Ka, Jam Baxter, Elucid, r.a.p. ferreira, Mach-Hommy, Busdriver, Earl, zeroh, Danny Brown, Oddisee, Doppelgangaz, and Roots albums. I did put together a top 500 list on RYM as well so if there’s something you think is missing here chances are it’s on there somewhere. Also, feel free to let me know what some of your favorite albums of the decade were. Peace.

Chart w/ album titles included Top 500 list on RYM Spotify playlist

As always, you can click the title of each album and it’ll take you to a stream or bandcamp page where you can hear / purchase it 1. Aesop Rock - The Impossible Kid 2. Dark Time Sunshine - ANX 3. Billy Woods & Blockhead - Dour Candy 4. Jam Baxter - ...So We Ate Them Whole 5. Armand Hammer - Paraffin 6. Ka - Grief Pedigree 7. The Doppelgangaz - Lone Sharks 8. Cult Favorite - FOR MADMEN ONLY 9. Danny Brown - XXX 10. Busdriver - Thumbs 11. Shabazz Palaces - Black Up 12. Billy Woods - History Will Absolve Me 13. Zeroh - awfulalterations 14. Milo - who told you to think??!!?!?!?! 15. Avantdale Bowling Club - Avantdale Bowling Club

16. Mach-Hommy - Dumpmeister 17. Dr. Yen Lo - Days With Dr. Yen Lo 18. Mr Key & Greenwood Sharps - Yesterday's Futures 19. Melanin 9 - Magna Carta 20. Armand Hammer - Rome 21. CunninLynguists - Oneirology 22. Oddisee - The Good Fight 23. Big K.R.I.T. - 4eva Is A Mighty Long Time 24. Open Mike Eagle - Hella Personal Film Festival 25. The Roots - How I Got Over 26. Aesop Rock - Skelethon 27. Has-Lo - In Case I Don't Make It 28. Danny Brown - Atrocity Exhibition 29. Qwel & Maker - Beautiful Raw 30. Roc Marciano - Reloaded 31. Edward Scissortongue - Better.Luck.Next.Life 32. Billy Woods & Kenny Segal - Hiding Places 33. Earl Sweatshirt - Some Rap Songs 34. Mach-Hommy - HBO 35. The Doppelgangaz - Hark 36. Quelle Chris - Guns 37. Milo - budding ornithologists are weary of tired analogies 38. Hermit and the Recluse - Orpheus vs. the Sirens 39. L'Orange & Stik Figa - The City Under the City 40. Jam Baxter - Mansion 38 41. A Tribe Called Quest - We got it from Here... 42. Elucid - Save Yourself 43. El-P - Cancer 4 Cure 44. Kendrick Lamar - To Pimp a Butterfly 45. Black Milk - No Poison No Paradise 46. BADBADNOTGOOD & Ghostface Killah - Sour Soul 47. Blu & Exile - Give Me My Flowers While I Can Still Smell Them 48. Deca - The Ocean 49. lojii & Swarvy - DUE RENT 50. TheParadoxicalState - Dark City 51. Onry Ozzborn - c v p ii d 52. Busdriver - Perfect Hair 53. Zeroh - 0 Emissions 54. Super Chron Flight Brothers - Cape Verde 55. Cavalier - Private Stock 56. Slauson Malone - A Quiet Farwell, 2016–2018 57. Little Brother - May the Lord Watch 58. Freddie Gibbs & Madlib - Bandana 59. Milo & Kenny Segal - So The Flies Don't Come 60. Serengeti - Family & Friends 61. Captain Murphy - Duality 62. Lil Ugly Mane - Oblivion Access 63. Cities Aviv - Raised for a Better View 64. Death Grips - Bottomless Pit 65. Skyzoo & Pete Rock - Retropolitan 66. Emay - Ilah 67. Signor Benedick the Moor - El Negro 68. Jalal Salaam X ewonee - Past Lives 69. Pink Siifu - ensley 70. Yugen Blakrok - Anima Mysterium 71. Anguish - Anguish 72. H.I.S.D. - The Weakend 73. Kill the Vultures - Carnelian 74. MIKE - May God Bless Your Hustle 75. Willie Green - Doc Savage 76. Homeboy Sandman - First of a Living Breed 77. Royce Da 5'9 & DJ Premier - PRhyme 78. Oddisee - Tangible Dream 79. Noveliss - Kenjutsu Under The Moonlight 80. Earl Sweatshirt - I Don't Like Shit, I Don't Go Outside 81. The Roots - Undun 82. MEDSLAUS - Poorboy 83. yU - the EARN 84. clipping. - There Existed An Addiction To Blood 85. Jean Grae & Quelle Chris - Everything's Fine 86. Run the Jewels - RTJ3 87. Lupe Fiasco - Tetsuo & Youth 88. Elzhi & Will Sessions - Elmatic 89. Kendrick Lamar - good kid, m.A.A.d city 90. The Roots - ...And Then You Shoot Your Cousin 91. Code Nine & Purpose - Below Sumerian Skies 92. Your Old Droog - It Wasn't Even Close 93. Lushlife & Botany - The Skull Eclipses 94. L'Orange & Jeremiah Jae - Complicate Your Life With Violence   95. NICKELUS F & SHAWN KEMP - TRICK DICE 96. Paranom & Purpose - Life Outside The Frame    97. Freddie Gibbs & Madlib - Piñata   98. Sadistik - Haunted Gardens 99. JPEGMAFIA - Veteran 100. Benny the Butcher - Tana Talk 3

[pynkhues]

Love your analysis on Beth’s playing a role to control Dean—but now I’m curious about your thoughts on the ottoman haha

Oh my gosh, thank you for taking the bait and asking, haha. I’ve been thinking about the ottoman all week, because it felt like such a strange and very specific thing for the writers to bring up again in the context of Dean, Judith and Beth in 3.11 after Beth had made the joke about it to Rio in the bar back in 3.08. And hey! I get a lot of asks about writing and about critical creative theory, and how to develop both those skills, and I always give the advice to start by asking why.

So let’s ask why together, because let me tell you: if something in a story feels strange, and it’s specific, and especially if it’s repeated, it usually means the writers want you to notice. And if they want you to notice, that in turn means it’s either a) an important plot point (which, err, I don’t think the ottoman is, haha, unless somebody stashed some money in the thing), or b) it’s important symbolically (and sometimes both! The flashforwards on Breaking Bad in particular did that really well).

So yeah, I’ve been thinking a lot about the ottoman, and these two, seemingly flippant references to it, and ultimately it’s reminded me of a post I never actually wrote (classic Sophie, haha), about Beth and Judith in 2.09 and 3.02, and that kind of made a feedback loop in my head and - -

Look.

Basically I think it’s a symbolic rejection of Beth’s old life / Judith’s life; an important character beat for Beth, and an indicator that she’s more than what she was with Rio, and that she won’t ever be more than that with Dean, but that’s a lot. So.

Let’s break that down a bit.   

Mommy Dearest

While motherhood is a central theme of this show, I am perpetually fascinated by the fact that the only mother to the main characters we really know is Dean’s mother, Judith, something that does actually feel like a deliberate choice.

After all, I could write a whole fresh essay about how it seems that Beth, Annie and Ruby each function as mothers themselves in ways that reflect a multigenerational trauma, and, ergo, a damaged mother in their own childhoods – we learnt in 2.08 after all that Beth and Annie’s mother was bedridden with depression, if nothing else, and Ruby’s mother was widowed when Ruby was just a young teenager (to say nothing of the trauma Ruby must’ve faced herself losing her father at that age) – but actually…that’s as much as we do know about them.

Dean though.

Well. 

We actually know probably more about his family and his history than we do about any other character on the show. We know his parents were John and Judith. We know that his father created Boland Motors and that Dean inherited the business from him. We know that John cheated on Judith throughout his career, and that Judith briefly tried to go back to work herself as a shop girl before feeling forced back home.

We know that Judith sacrificed everything – her career, her autonomy, her body, her happiness – to give Dean the illusion of a perfect family. While Dean might not know all the details himself, he’s certainly picked some of the expectations of that up through his parents, because ultimately, he expects Beth to do the same. And she did! And still does, in many, many ways.

There are a lot of examples of this, but the biggest one, of course, is the arc across 2.07 through to 2.10, which culminates with Dean holding their children ransom at Judith’s house, blackballing Beth into caving, and then flat out not caring about her inner life at all in 2.10.

That entire arc hinges on a lot of things, but one of the most integral conversations within that is the one Beth and Judith have at Emma’s birthday party in 2.09.

A conversation that’s pretty sublimely paralleled in 3.02.

2.09 vs 3.02

Beth and Judith’s conversations at Emma’s birthday party in 2.09 and then in the Boland kitchen in 3.02 are in fact two scenes that are also in conversation with each other. They’re different, but they’re the same. They’re circling the same information, while offering new takes, bantering old jokes that pivot into new jabs. They’re great, and I know they’re nobody who watches this show’s favourite scenes, but I actually love both of them a lot, and I think they’re really important – not just for Beth as a character, but for the show’s themes overall.

The scene in 2.09 falls on the back of Dean having taken the kids, and Beth’s grief arc around that. She only gets the invite to Emma’s birthday party because Dean’s put her in a position where she has to ask for it, and within the first 20 seconds of Beth and Judith exchange while they’re cutting up Emma’s birthday cake, we get this absolute gem:

Beth: [Dean]’s a good dad.

Judith: So was John. Not much of a husband though.

Judith goes on to confirm  that John cheated (with enough women she “stopped counting”), just like she now knows Dean did, but that’s not the point, and it’s not the thrust of the conversation.

The throughline is that men might cheat, and you can leave them, but as a mother, your responsibility is to them. You have to sacrifice your own needs to give them the best life you can.

In both Ruby and Annie’s cases, these are moral sacrifices to create financial gains for those children. Ruby’s in a loving marriage and needs to pay for her daughter’s medication, so that’s all literal with her. For Annie, it’s not quite as literal, but explores a parallel morality by way of her empathy – she feels no moral guilt about robberies, but she feels moral guilt by way of Marion and Nancy, in order to provide for her son.

Beth’s not like them.

She enjoys crime. She empathises with others, but isn’t a bleeding heart like Annie.

All of Beth’s sacrifices are felt personally.

She dims her own light, her own passions, her personality, her needs, her ambitions, to fuel the light of Dean’s, or for their children.  

It’s a conversation she has again with Judith in 3.02.

Judith’s been helping out more since Beth went to work. It leads to a few confrontations across the episode, but the one between the two of them in the kitchen after dinner is pivotal. I could actually transcribe the whole conversation here, because it’s honestly awesome, revealing dialogue, but instead I’m going to break it down into three little blocks.

a) The first in that it tells us how much Dean diminishes and doesn’t think about his mother.

Beth apologises for the fight which Dean ignores, and Judith asks a simple question:

“Did Dean ever tell you that I worked?”

No, Beth replies, simply, effortlessly.

A telling thing for a couple who have been together for over 20 years.

b) It builds to Judith telling Beth about having Dean, and then –

Judith: Everyone’s fawning over this new baby boy, while I’m just…nothing. Empty. Flesh and hormones over ice.

Beth pours them both a drink.

Confides that she had post-partum depression too.

c) But that’s not what Judith is saying. Judith’s not empathising with Beth, she’s telling her to go home.

Beth: Your happiness was important too.

(beat)

Judith: How much does the card shop pay?

Beth: You shouldn’t have quit.

Judith: And you should be home for dinner if you don’t want the kids saying grace…what a lie, huh? That we can have it all.

This scene is sharp, and it’s designed as a narrative weapon against Beth, who is desperately trying to keep her family above water, and actually gives Beth the triple duty in terms of protective responsibilities.

She’s trying to provide for her children, of course, and trying to justify her own purpose outside of motherhood to her mother-in-law, while also concealing from Judith how much Dean has failed their family in every way.

Judith gave up everything for Dean, so what can Beth do except placate her?

The thing is, these two conversations have very, very different results. 

In 2.09, Judith’s conversation with Beth was a key part of Beth ultimately quitting both crime and Rio, and trying to revert back to the woman she was – the woman Judith would always be. 

3.02 had a very different outcome.

Beth didn’t quit.

She doubled down.

Not only that, it directly pivoted into a scene where Beth, Ruby and Annie were criming, fucked a part of it up, and Beth’s instant response is “What would Rio do?” trying him into that overall arc.

The Ottoman

Which brings us, finally, to the ottoman!

It’s an offhand joke in 3.08, right? Beth’s dressed up, and she and Rio are in one of their games of eternal bargaining after she robbed him and he replied by stealing literally everything she owned. She’s trying to earn it back, he says he has something for her, she jokes, “My ottoman?”

It’s not serious. She’s not serious, which already loads the term, but Rio’s response is equally light, equally dismantling.

No.

The thing he has for her is Boomer.

And sure, there’s a lot to unpack in that, but what’s important here is that Rio treated the ottoman as something as frivolous as Beth treated it. They were on the same page – in maybe one of the few moments they were all season.

He knew as well as she did that the ottoman wasn’t something she needed.

The scene in 3.11 is really different.

Beth’s literally dressed down, on the toilet, in the robe she wore when she broke up with Rio in 2.09. Dean barges in, tells her no one will give him money to buy the hot tub place, then instantly breaks into a diatribe about how his mother wants to give them his ottoman.

Beth: We don’t have a couch!

Dean: I told her that.

Beth: Good.

Dean: The ottoman will be here tomorrow.

[Beth sighs]

Dean: I know, I’m sorry.

[beat]

Dean: I just don’t want [Rio] involved again.

The scene serves the purpose of, once again, emasculating Dean – showing that he can’t get out from under his mother’s thumb in the same narrative beat that it tells us as an audience that Dean can’t wriggle out from beneath Rio’s either – at least not as long as he’s with Beth.

In turn, the ottoman as an object holds a lot of narrative weight.

It’s something Beth and Rio can joke about, and something that labours on Beth and Dean’s marriage.

On a deeper level, the ottoman is something that holds a purpose, yes, but needs other items to be complete.

On its own, an ottoman is a joke. With a couch, it’s a living room.

Beth wants the couch – she wants the career – she wants the functionality and purpose of it. She wants to build her home herself, not scrape around for leftovers, nor rely on superficial or frivolous function in the way that she did before she robbed Fine & Frugal.

Beth is a character bursting with purpose, utility, passion. She wants to build this new life, not accessorise it, and Rio knows it, and Dean can never offer it to her, and that matters to her, particularly as she tries to untangle her future from Judith’s.

What I’m getting at is that I think Beth made a very different decision in 3,02 than she did in 2.09. She decided she was going to do this. She was going to be less of an ornament in her own life, and it would take her away from her children but hopefully give her more function to provide for them, and notably for herself too, and I think the narrative symbol of the ottoman is that the domestic goddess / Judith image isn’t her anymore, at least not exclusively. It’s not what she needs, and Rio knows that, and can laugh with her as she makes a joke of it, while Dean knows it, but will never fully support or empower her in disentangling from it. 

[paperanddice]

Image ID: Two pictures of game stat blocks for the whitespawn iceskidder. The first is for 5th Edition D&D and the second is for 13th Age. Full text is available below the read more. End ID.

Whitespawn iceskidders are among the strangest of dragonspawn, physically at least. With short hind legs and undersized wings, they cannot fly and walk very slowly. It’s when they step onto ice that their true capabilities come into light, as they use the keratin talons on the sides of their long feet and on the ends of their tail to skate across the surface of the ice at incredible speed. Their wings are used largely to provide momentum and help with sharp turns, giving them a shocking amount of mobility and making them exceptionally difficult to evade or escape. When off of ice they will use their breath weapon to create a thick layer on the ground, which while rough is still more than enough to give them traction and speed.

Much rarer than dragonspawn of other colors, iceskidders are used as guards by white dragons and cold climate dwelling kobolds, as well as a few other creatures. They mostly live in the wild however, competing with polar bears for food and territory (a fight that the iceskidder wins the majority of the time). Remorhaz hunt iceskidders quite effectively however whenever they are on land, keeping the population low.

Originally from the 3.5 Monster Manual IV. This post came out a week ago on my Patreon. If you want to get access to all my monster conversions early, as well as a spot on the Paper and Dice Discord server, consider backing me there!

5th Edition

Whitespawn Iceskidder Large dragon, unaligned Armor Class 16 (natural armor) Hit Points 171 (18d10 + 72) Speed 20 ft. Damage Immunities cold Senses darkvision 60 ft. passive Perception 12 Languages understands Draconic but can't speak Challenge 6 (2300 XP) Ice Glide. The iceskidder can move across icy surfaces without needing to make an ability check. Additionally, difficult terrain composed of ice doesn't cost it extra movement, and instead it can move two feet for every foot of movement it spends. White Dragon's Blessing. Each creature of the iceskidder's choice within 15 feet of it gains resistance to cold damage. Actions Bite. Melee Weapon Attack: +7 to hit, reach 5 ft., one target. Hit: 13 (2d8+4) piercing damage plus 7 (2d6) cold damage. Breath Weapon (Recharge 5-6). The iceskidder exhales an icy blast in a 30-foot cone. Each creature in that area must make a DC 15 Constitution saving throw. On a failure, the target takes 36 (8d8) cold damage and is restrained in a thick layer of ice. As an action, the restrained target can make a DC 15 Strength check, bursting the ice on a success. The ice can also be attacked and destroyed (AC 12; hp 15; vulnerability to bludgeoning and fire damage; resistance to piercing damage; immunity to cold, poison, and psychic damage). On a successful save, the target takes half as much cold damage and is not restrained. In addition, the ground and any objects in the area are covered in a thick layer of ice and become difficult terrain until the ice melts (1d6+1 rounds in extreme heat environments, otherwise several minutes at the minimum).

13th Age

Whitespawn Iceskidder Large 3rd-level troop [dragon] Initiative: +5 Vulnerability: Fire Gaping Jaws +8 vs. AC - 16 damage Natural Even Hit: The target also takes 8 cold damage. C: Ice Breath +8 vs. PD (1d4 nearby enemies in a group) - 10 cold damage Natural 14+: The target is also stuck (save ends). Limited Use: 1d3 times per battle, but never two turns in a row. Occasional Escalator: At the start of the battle, roll a d6 for every iceskidder in the battle. All iceskidders in the battle can add the escalation die to their attack rolls when it is at each of the numbers rolled. White Dragon’s Blessing: 1/turn the iceskidder can give one nearby ally resist cold 12+ until the end of the iceskidder’s next turn. Resist Cold 14+. AC 17 PD 16 MD 13 HP 98

[godzilla-vs-kong-vostfr]

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[REGARDER] ♦♦♦ https://pureflixmovie.com/fr/movie/399566/godzilla-vs-kong

À une époque où les monstres parcourent la Terre, et alors que l’humanité lutte pour son avenir, Godzilla et King Kong, les deux forces les plus puissantes de la nature, entrent en collision dans une bataille spectaculaire inédite. Alors que Monarch se lance dans une mission périlleuse en terrain inconnu, et qu’il découvre des indices sur les origines des Titans, un complot humain menace d’éradiquer ces créatures — qu’elles soient bonnes ou mauvaises — de la surface de la planète.

Durée: 120 minutes Genre: Action, Science-Fiction Etoiles: Alexander Skarsgård, Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry Directeur: Terry Rossio, Eric McLeod, Sarah Halley Finn, Owen Paterson, Michael Dougherty

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🔮 THE STORY 🔮

Sci-fi is like dream, aside from stories in this classification utilize logical arrangement to explain the universe that it requires place in. It for the most part incorporates or is focused on the assumed impacts or repercussions of PCs or machines; travel through space, time or imaginary worlds; outsider living things; hereditary designing; or other such things. The science or innovation utilized may or probably won’t be completely explained on; stories whose logical components are sensibly point by point, well-informed and viewed as generally conceivable given current information and innovation are regularly known as hard sci-fi. Writing that objectives posses, criminal associations that give a degree of association, and assets that help a lot bigger and more specialized criminal exchanges than an individual criminal could accomplish. Criminals will be the subject of a few motion pictures, especially from the period somewhere in the range of 1930 and 1960. A restoration of criminal sort films happened since the 1990s with the blast of hip-jump culture. Dissimilar to the sooner hoodlum films, the more current movies share comparative components to the more established movies yet is more in a hip-bounce metropolitan setting. An experience story is around a hero who excursions to epic or removed spots to perform something. It could have a considerable number of other classification factors included inside it, since it is an open type. The hero incorporates a mission and faces hindrances to get to their objective. Additionally, experience stories as a rule incorporate obscure settings and characters with valued properties or highlights.

At first proposed as a classification by the makers of the pretending game Children of daylight, dieselpunk alludes to fiction propelled by mid-century mash stories, predicated on the style of the interbellum period through World War II (c. 1920–45). Like steampunk however especially observed as a the ascent of oil power and technocratic discernment, fusing neo-noir factors and sharing subjects more clearly with cyberpunk than steampunk. Despite the fact that the striking quality of dieselpunk as a classification isn’t totally uncontested, portions which range from the retro-advanced film Sky Captain and the World of Tomorrow to the 2001 Activision computer game Return to Castle Wolfenstein have been recommended as quintessential dieselpunk works of fiction. A style when an entertainer acts before a live crowd, talking straightforwardly to them. The entertainer is generally alluded to as a comic, professional comedian, professional comic or simply a hold up. In stand-up parody the entertainer ordinarily discusses a relentless progression of amusing stories, short jokes called “pieces”, and jokes, which comprise what’s regularly called a discourse, routine or act. Some professional comics use props, music or sorcery stunts to improve their demonstrations. Stand-up satire is regularly acted in parody clubs, bars, neo-vaudevilles, schools, and theaters. Outside of live execution, stand-up is typically circulated monetarily by means of TV, DVD, and the web. like customary activity; instead of utilizing hand drawn pictures, stop movement films are made with little puppets or different articles which have their image taken regularly over a grouping of little developments to make liveliness outlines. Models are The Nightmare Before Christmas, Coraline, and Corpse Bride.

🔮 COPYRIGHT CONTENT 🔮

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itsDemon Slayer the Movie: Mugen Train.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]

🔮 ADAPTATION 🔮

Sarah Paulson is my top choice, yet this film isn’t her best. I trusted that months for this will come out and I’m left asking why I was so energized. The trailer parted with everything. You knew the entire story before it even began. There was practically zero character improvement and everything just felt like it was 0–100 with no pacing at all. Likewise, the cosmetics office for Sarah’s last look-the hellfire would you say you were folks on when you thought of this? I really snickered when I saw her. It was an alright film. One that you’d be pissed on the off chance that you burned through cash on. Nothing new, normal, worn out acting. Additionally, no one realizes the proper behavior an asthma assault. This film had so many plot openings that it seemed like a parody. The mother can simply take an infant from the clinic? She harms her little girl for quite a long time and no specialist actually sees this during her regular visits? How did she manage the postal carrier’s vehicle? No one minded the postal carrier was absent? For what reason did the girl never get one of the numerous sharp or gruff articles around her and hit her mother? The mother leaves all her significant reports in a container sitting out and marked? For what reason would she tie up her girl’s wheel seat and not her girl? This is the means by which the entire film goes. The main redeemable nature of the film was Sarah Paulson’s very frightening acting. Likewise, this story has been done so often. I would not burn through my time watching this. Run is unsurprising and not extraordinary. The acting is phenomenal, while the story is fair. The story makes a magnificent showing of being exciting, yet it chiefly doesn’t go anyplace. I knew all that planned to happen despite the fact that I knew nothing. Nonetheless, There was one scene I appreciated where Clare says, “you need me.” The acting was only exceptional in that particular scene. In general, it’s a one time watch that you’ll most likely fail to remember. This is another film on Hulu by Aneesh Chaganty (and co-composed by Sev Ohanian), following up their realistic presentation Searching (2018) with a spine chiller including a mother and her 17-year-old little girl brought into the world with a few confusions (arrhythmia, hemochromatosis, asthma, diabetes, and most effectively loss of motion).

I will say that it’s conceivable this film is superior to I preferred it, yet in the event that so it would be for its coordinating and acting, and less so about the composition. I felt like there were openings all over the place, and maybe an excess of is tossed at us too early for us to appropriately think about the characters and their circumstance. This sort of film has been done previously, absent a lot of new added to the table short the wheelchair perspective. There were a ton of components set up for what might have given a more grounded finishing conveyance and punch, yet the greater part of those beats were one-note and spent prior in the film as opposed to associating a solid inward weaving as Searching had the option to do. I went in visually impaired, and it’s possible better that I did given that the trailer is fairly uncovering. I don’t think it had a sufficiently high roof in any case to overshadow any wild absence of desires I previously had. My solitary desire was in the possession of the makers, and the most saving grace this film will probably have on crowds is I expectation they become mindful of Searching and see it sooner or later… which is the thing that I expectation the greater part of all of you can detract from this. That was my #1 film of 2018, and Run will tumble to the wayside as fairly convincing yet totally forgettable. The story and pre-assembled relationship just needed more squeeze once the credits rolled. This film was average, best case scenario. Try not to accept individuals giving it 8 or 9. The plot has been seen ordinarily, it was excessively unreasonable, and the closure failed. They attempted to showcase it as a loathsomeness/spine chiller however nothing about it is exciting. It’s a dramatization completely. I will say however, the entertainers did astounding with what they were given. Sarah Paulson was her standard sDemon Slayer the Movie: Mugen Train, great, not honor commendable. Be that as it may, Kiera Allen truly captured everyone’s attention. She made the film (which delayed for what seemed like 2 hours) watchable. In the event that you appreciated The Act or have nothing else to watch, give it a go. What’s the point of messing with this poop. It resembles a low lease endeavor at a spine chiller yet you definitely know the closure. The faltering endeavors at tension are more irritating than anything. It’s a terrible lifetime film to be straightforward. Furthermore, I like lifetime motion pictures! It’s additionally excessively coordinated, the music is exhausted and the acting isn’t incredible.

[sweeteliteguides]

Sweet Elite — Chapter 6 Guide

Key:

Negative affinity result: - Neutral affinity result: / Positive affinity result: + Romantic Option: ♥

Illustrations: 4 (View illustrations here.)

Energy cost: 242

Achievements

Monster Appetite — Choose the Monster breakfast.

Confession — Have a heart-to-heart with Karolina about your, uh, friendship with Tadashi.

Taking one for the Team — Take the blame for losing the project.

Shady — Take the credit for restoring the project… Ouch.

------------------------------

Objective: Talk to your group about your project!

Second Hallway - Tadashi

Objective: Find everyone in your group and warn them about the meeting!

Classroom 1 - Axel

School Entrance - Raquel

Gym - Alistair

Third Hallway - Karolina

Garden - Claire

Classroom 2 - Tegan

Second Hallway - Tyler

Cafeteria Lounge - Axel and Neha

Computer Lab - Ellie

Objective: Help Tyler carry his canvas.

Dorm Hallway

When the bell rings

Classroom 2

After class

Dorm Room

It’s time to work on the group project! Go join your team.

Outside Cafeteria

If you go with Tadashi

Classroom 1

Objective: Go chat with your friends.

Classroom 1 - Ellie, Tegan, and Tyler

Auditorium - Axel

Gym - Alistair and Raquel

Classroom 2 - Claire and Neha

Outside Cafeteria - Karolina

Third Hallway - Tadashi

Objective: Follow Tyler!

Computer Lab

------------------------------

Scholar

[choice]

“Counterfeiting goods in the fashion industry.” (Karolina and Neha)

“How mechanization has changed the quality of food (vs. organic).” (Claire and Ellie)

(Other Choices)

[choice]

“The use and availability of contraceptives in schools.” (Alistair, Axel, and Raquel)

“Representation in media.” (Tegan and Tyler)

(Previous Choices)

[choice]

(A fruity breakfast.) /

(A protein-based breakfast.) /

(The Monster breakfast.) / [Achievement]

Alistair

[choice]

The rest of my project group... /

I don’t know if you can help... +

Who do you think? -

♥ [choice]

That eager to see me? +

Find me? /

What do you mean? -

[choice]

That eager to see me? +

Find me? /

What do you mean? -

Axel

[choice]

From everyone else? -

As if you could disappoint me. +

Do you want some company? /

♥ [choice]

(Try to convince him to join the group.) /

(I don’t think I can get him to change his mind.) +

(I can’t help but get a little upset) -

[choice]

(I take a deep breath to keep from getting too upset at his attitude.) /

(I have to try to convince him to join.) -

(I know Axel well enough to know I can’t change his mind.) +

Claire

[choice]

But I can see you’re pretty busy, I didn’t mean to interrupt. I’ll go so you can finish your conversation. +

...What are you doing out here anyway? -

Do you know where I can find them? /

♥ [choice]

a

b

c

Ellie

[choice]

(I decided to applaud her for her hard work.) /

(I open the door, watching out for any sharp parts sticking out of the box.) +

I do mind, actually. -

♥ [choice]

a

b

c

Karolina

[choice]

(Ugh, this might bite me in the ass later on, but I have to see if she’s okay.) +

(You learned your lesson last time, Scholar. Let it go.) -

(I don’t really know what I should do.) /

Neha

[choice]

I was looking for my group members.

Is it bad to say I just wanted the pleasure of your company? +

[choice] (If you’re in the same group)

Aside from wanting to talk to the most talented person in the Fashion Department? /

Is it bad to say I just wanted the pleasure of your company? +

The group project. -

Raquel

[choice]

I didn’t know you and Tadashi were so close. +

He is a bit of a pill, isn’t he? /

Not very fun, is he? -

♥ [choice]

I kinda figured. +

You could use a break. -

Do you need the practice? /

[choice]

Please, Raquel... /

You know the group would fail without you... +

Why choose the topic if you won’t help us? -

Tadashi

[choice]

Sure, I’ll gather everyone! +

(I’m not quite sure how to respond to this...) /

I don’t think the others will be happy about starting it so soon. -

Well, I need to go and get some studying done. Do you have any plans?

I think I’m gonna go and get some studying done as well. + (Towards restoring your final project?(Chance to get Shady))

I’m gonna stay here a little bit more, talk with the team a little. / (Towards restoring your final project?(Chance to get Shady))

I think I’m gonna head to the dorms and take a nap. / (Towards losing your project?(Change to get Taking one for the Team))

[choice]

Yes, I did. / (- with whoever recovered the project/had a backup)  [Achievement]

Yes, this angel here managed to fix it! (I point towards my savior.) / (+ with whoever recovered the project/had a backup)

Tegan

♥ [choice]

a

b

c

Tyler

♥ [choice]

(Well... He did say to ‘tell it to him straight.’) /

Tyler, I’m not sure how to word this... +

I think it looks... interesting. -

[choice]

(I need to be honest with him.) +

(I don’t know if I can tell him the truth.) -

(I don’t know how to tell him what I really think.) /